Photoshop Brush Dynamics Tutorials

Photoshop Brush Dynamics - Other Dynamics

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Other Dynamics

To change our brush opacity and/or flow dynamically as we paint, we use the Opacity and Flow options in the Other Dynamics section of the Brushes panel. Click directly on the words Other Dynamics to access the options:

The Other Dynamics section of the Brushes panel in Photoshop. Image © 2010 Photoshop Essentials.com
Click directly on the words Other Dynamics in the Brushes panel.

As soon as you click on the words, the Opacity and Flow options appear on the right side of the Brushes panel. Just as we've seen with other Brush Dynamics categories, each one comes with both a Control option, allowing us to choose from various ways to control the opacity or flow ourselves, and a Jitter slider which let's Photoshop change them randomly:

The Opacity and Flow options in the Other Dynamics section of the Brushes panel in Photoshop. Image © 2010 Photoshop Essentials.com
Opacity and Flow each come with a Control option and a Jitter slider.

The Options Bar vs The Brushes Panel
Before you change any of the settings here in the Other Dynamics section, make sure you've set the Opacity and Flow options in the Options Bar back to 100% first, otherwise your results may not be what you expected. The reason is that the Opacity and Flow options in the Brushes panel are directly linked to the ones we just looked at in the Options Bar. If, for example, you've set the Opacity value in the Options Bar to 25%, the opacity of your brush color will never exceed 25% no matter what settings you've chosen with the Other Dynamics options. The same goes for the Flow option.

Opacity Control

To control the opacity of the brush color dynamically as you paint, click on the Control drop-down box directly below the Opacity Jitter slider and choose either Fade, Pen Pressure, Pen Tilt, or Stylus Wheel (if you have an air brush pen). Fade will fade out the opacity of the brush color based on the number of steps you specify and is the only Control option available if you don't have a pen tablet installed (you can still choose one of the other options but it won't actually do anything). I'll select Pen Pressure, since I am using a pen tablet:

Setting the Opacity Control option in the Brushes panel to Pen Pressure. Image © 2010 Photoshop Essentials.com
Selecting Pen Pressure to control the opacity of the brush color.

With the opacity now being controlled by pen pressure, the more pressure I apply to the tablet with my pen, the more opaque the brush color becomes. Less pressure gives me a more transparent brush color:

A brush stroke with opacity controlled by pen pressure in Photoshop. Image © 2010 Photoshop Essentials.com
More pen pressure in the center of the stroke created a more opaque color. Less pressure on either end gave me more transparency.

Flow Control

The Control options for Flow work the same way. Click on the Control drop-down box directly below the Flow Jitter slider and choose how you want to control the flow from the list. The same options (Fade, Pen Pressure, Pen Tilt, and Stylus Wheel) are available. I'll choose Pen Pressure once again:

Setting the Flow Control option in the Brushes panel to Pen Pressure. Image © 2010 Photoshop Essentials.com
Opacity and Flow both share the same Control options (Fade, Pen Pressure, Pen Tilt, and Stylus Wheel).

When opacity was being controlled by pen pressure, we saw quite a bit of difference between the transparency levels throughout the brush stroke as varying amounts of pressure were applied to the tablet. With flow controlled by pen pressure, we end up with a brush stroke that's darker overall, even with the exact same amounts of pen pressure being applied. Since the brush tips are overlapping, their opacity levels are mixing together, giving us more opaque results than what the same amount of pen pressure gave us when we were controlling the opacity:

A brush stroke with flow controlled by pen pressure in Photoshop. Image © 2010 Photoshop Essentials.com
With the same amount of pen pressure applied, Flow will give us a more opaque brush stroke than Opacity.

Opacity And Flow Jitter

Finally, we can add randomness to the brush opacity or flow (or both at once) using their respective Jitter sliders. The further we drag a slider towards the right, the more variety we'll see as we paint:

The Opacity Jitter and Flow Jitter sliders in the Brushes panel in Photoshop. Image © 2010 Photoshop Essentials.com
Use the Opacity Jitter and Flow Jitter sliders to let Photoshop change them randomly.

Both jitter options will create somewhat similar results, since Photoshop will randomly change the transparency level of each new brush tip. The difference once again is that Flow Jitter will usually give us a darker, more opaque result overall as the opacity levels of overlapping brush tips mix together. Here's a brush stroke with Opacity Jitter set to 100%. The individual brush tips are obvious, but the transparency levels are not affected by overlapping areas:

A brush stroke with Opacity Jitter set to 100%. Image © 2010 Photoshop Essentials.com
A brush stroke with Opacity Jitter set to 100%.

And here's my brush stroke with Flow Jitter set to 100% (Opacity Jitter has been set back to 0%). This time, we see very few light, transparent areas and many more dark, opaque areas:

A brush stroke with Flow Jitter set to 100%. Image © 2010 Photoshop Essentials.com
The same brush stroke with Flow Jitter set to 100%.

And there we have it! That wraps up our look at how we can change and control lots of different aspects of our brushes, from size, shape and texture to color and opacity, thanks to the awesome power of Photoshop's Brush Dynamics!

Missed one of the other Brush Dynamics tutorials? Jump to any of them using the links below:

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